{"id":4346,"date":"2020-10-13T11:01:36","date_gmt":"2020-10-13T11:01:36","guid":{"rendered":"https:\/\/vocilibereurss.fupress.net\/media\/"},"modified":"2022-02-08T13:36:22","modified_gmt":"2022-02-08T13:36:22","slug":"resources-en","status":"publish","type":"page","link":"https:\/\/vocilibereurss.fupress.net\/en\/resources-en\/","title":{"rendered":"Resources"},"content":{"rendered":"[vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overlay_strength=&#8221;0.3&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221; bg_image_animation=&#8221;none&#8221;][vc_column_text]\n<h6 style=\"text-align: right;\"><em>Anatolii Brusilovskii, Moltiplicazione del profilo, 1967\u00a0<\/em><em>[detail]<\/em><\/h6>\n<p>We present here a selection of the book and periodical resources on the artistic-literary <em>samizdat<\/em> and of the online projects on the culture of dissent in the USSR and the <em>tamizdat<\/em>, which we used in researching this project.<\/p>\n<p><strong>Center &#8220;Andrei Belyi&#8221;, archive of samizdat journals and other materials, Saint Petersburg (Russian Federation)<\/strong><br \/>\n<a href=\"http:\/\/samizdat.wiki\"><strong>http:\/\/samizdat.wiki<\/strong><\/a><\/p>\n<p><strong>Project for the Study of Dissidence and Samizdat, University of Toronto (Canada)<\/strong><br \/>\nCoordinator: A. Komaromi<br \/>\nProject: <a href=\"https:\/\/samizdat.library.utoronto.ca\/\"><strong>https:\/\/samizdat.library.utoronto.ca\/<\/strong><\/a><br \/>\nArchive of Samizdat Journals: <a href=\"http:\/\/samizdatcollections.library.utoronto.ca\/\"><strong>http:\/\/samizdatcollections.library.utoronto.ca<\/strong><\/a><\/p>\n<p><strong>Centre for Eastern European Studies, University of Bremen (Germany)<\/strong><br \/>\nCoordinator: S. Schattenberg<br \/>\nProjrct: <strong><a href=\"https:\/\/www.forschungsstelle.uni-bremen.de\/en\/\">https:\/\/www.forschungsstelle.uni-bremen.de\/en\/<\/a><\/strong><\/p>\n<p><strong>International Memorial Association, archive of samizdat documents, Moscow (Russian Federation)<\/strong><br \/>\nCoordinators: N. Laricheva, G. Kuzovkin<br \/>\n<a href=\"http:\/\/samizdat.memo.ru\/samizdat\/sdsintro\"><strong>http:\/\/samizdat.memo.ru\/samizdat\/sdsintro<\/strong><\/a><\/p>\n<p><strong>Research project &#8220;History of Dissent in the USSR: 1956-1987&#8221;.<\/strong><br \/>\nCoordinators: G. V. Kuzovkin (dal 2008); A. Iu. Daniel&#8217; (from 1990 to 2008)<br \/>\n<a href=\"https:\/\/www.memo.ru\/ru-ru\/history-of-repressions-and-protest\/protest\/dissidents\/programma-istoriya-inakomysliya-v-sssr-1954-1987-gg\/\"><strong>https:\/\/www.memo.ru\/ru-ru\/history-of-repressions-and-protest\/protest\/dissidents\/programma-istoriya-inakomysliya-v-sssr-1954-1987-gg\/<\/strong><\/a><\/p>\n<p><strong>Portal dedicated to the places of Terror and Dissent in Moscow.<br \/>\n<\/strong>Coordinator: A. Polivanova<br \/>\n<a href=\"https:\/\/topos.memo.ru\/\"><strong>https:\/\/topos.memo.ru\/<\/strong><\/a><\/p>\n<p><strong>Research and cataloguing project &#8220;DissInvent &#8211; DISSidences de l&#8217;Est en exil : INVENTAIRE, histoires, pratiques documentaires&#8221;<\/strong>, University of Paris Diderot &#8211; Biblioth\u00e8que La Contemporaine, Paris Nanterre (France)<br \/>\nCoordinator: S. Coeur\u00e9<br \/>\n<a href=\"https:\/\/lcbam.hypotheses.org\/748\"><strong>https:\/\/lcbam.hypotheses.org\/748<\/strong><\/a><\/p>\n<p><strong>On-line Project \u201cTamizdat project\u201d, New York (USA)<\/strong><br \/>\nCoordinator: Y. Klots<br \/>\n<a href=\"http:\/\/tamizdatproject.org\/en\"><strong>http:\/\/tamizdatproject.org\/en<\/strong><\/a><\/p>\n<p><strong>Project \u201cTra memoria e utopia: il samizdat come simbolo della cultura europea. Storia, confini, prospettive\u201d<\/strong><br \/>\nDepartment of Anglo-Germanic and Slavic Languages and Literatures, University of Padua (2009-2011)<br \/>\n<a href=\"http:\/\/www.maldura.unipd.it\/samizdat\/\"><strong>http:\/\/www.maldura.unipd.it\/samizdat\/<\/strong><\/a><\/p>\n<p><strong>Performance Art in Eastern Europe, University of Zurich (Switzerland)<\/strong><br \/>\n<strong><a href=\"http:\/\/www.performanceart.info\/\">http:\/\/www.performanceart.info\/<\/a><\/strong><\/p>\n<p><strong>Electronic archive &#8220;Vtoraia literatura&#8221;, ImWerden, Munich (Germany)<\/strong><br \/>\nCoordinator: A. Nikitin-Perenskii<br \/>\n<strong><a href=\"https:\/\/vtoraya-literatura.com\/\">https:\/\/vtoraya-literatura.com\/<\/a><\/strong><\/p>\n<p><strong>Fond &#8220;Iofe&#8221;, association created in 2000 by V. V. Iofe, Saint Petersburg (Russian Federation)<\/strong><br \/>\n<a href=\"https:\/\/iofe.center\/elarch\"><strong>https:\/\/iofe.center\/elarch<\/strong><\/a><\/p>\n<p><strong>Samizdat Veka &#8211; Anthology of unofficial poetry<\/strong><br \/>\nCoordinator: I. Akhmet&#8217;ev<br \/>\n<strong><a href=\"https:\/\/rvb.ru\/np\/\">https:\/\/rvb.ru\/np\/<\/a><\/strong><\/p>\n<p><strong>Samizdat Archive<em>, <\/em>library &#8220;Vechi&#8221;<\/strong><br \/>\n<a href=\"http:\/\/vehi.net\/samizdat\/index.html\"><strong>http:\/\/vehi.net\/samizdat\/index.html<\/strong><\/a><\/p>\n<p><strong>Library fonds of the Sakharov Centre<\/strong><br \/>\n<a href=\"https:\/\/library.sakharov-center.ru\/vse-fondy\/488\/books.html\"><strong>https:\/\/library.sakharov-center.ru\/vse-fondy\/488\/books.html<\/strong><\/a><\/p>\n<p><strong>Digital archive of the Samizdat &#8220;Mitin Zhurnal&#8221; magazine<\/strong><br \/>\n<a href=\"http:\/\/kolonna.mitin.com\/\"><strong>http:\/\/kolonna.mitin.com\/<\/strong><\/a><\/p>\n<p><strong>Digital archive of\u00a0 \u201cVestnik RChD\u201d magazine<\/strong><br \/>\n<strong><a href=\"https:\/\/www.rp-net.ru\/book\/vestnik\/\">https:\/\/www.rp-net.ru\/book\/vestnik\/<\/a><\/strong><\/p>\n<p><strong>Project and Digital Archive \u201cAntologiia Samizdata\u201d<\/strong><br \/>\nCoordinator: V. Igrunov<br \/>\n<a href=\"http:\/\/antology.igrunov.ru\/\"><strong>http:\/\/antology.igrunov.ru<\/strong><\/a><\/p>\n<p><strong>&#8220;Chelovek protiv SSSR&#8221; project, &#8220;Arzamas Academy&#8221; portal,\u00a0<\/strong><br \/>\n<a href=\"https:\/\/arzamas.academy\/courses\/40\/4\"><strong>https:\/\/arzamas.academy\/courses\/40\/4<\/strong><\/a><\/p>\n<p><strong>Documentary materials of the exhibition &#8220;Sovetskoe neofitsial&#8217;noe iskusstvo ot A do Z&#8221; by the A. Zverev Museum in Moscow<\/strong><br \/>\n<a href=\"https:\/\/museum-az.com\/az_art\/\"><strong>https:\/\/museum-az.com\/az_art\/<\/strong><\/a><\/p>\n<p><strong>Portal dedicated to the Chukovskii family<\/strong><br \/>\n<a href=\"http:\/\/www.chukfamily.ru\"><strong>http:\/\/www.chukfamily.ru<\/strong><\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; column_margin=&#8221;default&#8221; column_direction=&#8221;default&#8221; column_direction_tablet=&#8221;default&#8221; column_direction_phone=&#8221;default&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; row_border_radius=&#8221;none&#8221; row_border_radius_applies=&#8221;bg&#8221; overlay_strength=&#8221;0.3&#8243; gradient_direction=&#8221;left_to_right&#8221; shape_divider_position=&#8221;bottom&#8221; bg_image_animation=&#8221;none&#8221;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_tablet=&#8221;inherit&#8221; column_padding_phone=&#8221;inherit&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; gradient_direction=&#8221;left_to_right&#8221; overlay_strength=&#8221;0.3&#8243; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221;&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/vocilibereurss.fupress.net\/en\/wp-json\/wp\/v2\/pages\/4346"}],"collection":[{"href":"https:\/\/vocilibereurss.fupress.net\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/vocilibereurss.fupress.net\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/vocilibereurss.fupress.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/vocilibereurss.fupress.net\/en\/wp-json\/wp\/v2\/comments?post=4346"}],"version-history":[{"count":26,"href":"https:\/\/vocilibereurss.fupress.net\/en\/wp-json\/wp\/v2\/pages\/4346\/revisions"}],"predecessor-version":[{"id":7754,"href":"https:\/\/vocilibereurss.fupress.net\/en\/wp-json\/wp\/v2\/pages\/4346\/revisions\/7754"}],"wp:attachment":[{"href":"https:\/\/vocilibereurss.fupress.net\/en\/wp-json\/wp\/v2\/media?parent=4346"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}